AGNI KAVADI At Major Ulloor Sree Bala Subhramanya Swami Temple

Agni kavadi is a hindu ritual, where devotees walk over fire. This is done as an offering to lord Muruga. This agni kavadi happened in near by temple (Major Sree Bala Subhramanya Swmi l temple, Ulloor, Trivandrum...). Kavadi Attam ("Burden Dance") is a ceremonial sacrifice and offering practiced by devotees during the worship of Lord Murugan, the Hindu God of War.It is a central part of the festival of Thaipusam and emphasizes debt bondage. The kavadi ("burden") itself is a physical burden, the bearing of which is used by the devotee to implore Murugan for assistance, usually on behalf of a loved one who is in need of healing, or as a means of balancing a spiritual debt.Devotees process and dance along a pilgrimage route while bearing these burdens.

Agni Kavadi is the most difficult Kavadi-offering. With the Kavadi hanging on his shoulders, the devotee walks through a pit of burning coals (large Burning woods). The devotees all around the pit sing hymns in praise of the Lord Muruga. The beating of the drums and the burning of the incense make the entire atmosphere awe-inspiring. The real devotee gets into a state of ecstasy and easily walks over the fire. Kavadi-bearer will attain high state of religious Power. He dances in ecstasy. His very appearance is awe-inspiring; there is divine radiance on his face. Devotees often experience the state of feeling complete union with the Lord. Sometimes the Deity enters their body and possesses them for some time.

he kavadi attam is steeped in mythology. At Mount Kailas, Lord Shiva entrusted the dwarf saint sage Agastya with two hillocks, the Shivagiri Hill and the Shaktigiri Hill, with instructions to carry and install them in South India. The sage left them in a forest and later asked his disciple, Idumban, to get them. Idumban found the two hillocks but could not initially lift them, until he obtained divine help. Near Palani in South India — where there is a famous shrine of Murugan — Idumban put the hillocks down to rest awhile. When he attempted to continue with his journey, he found that the hillocks were immovable.

Idumban sought the help of a scantily dressed youth, but the youth claimed the hillocks belonged to him. In the ensuing scuffle, Idumban was defeated. Idumban then realised that the youth was Lord Murugan. At this stage, Muruga had been outwitted in a contest for going round the world where his brother Ganapati had won the prized fruit. In anger, the frustrated child left the divine parents and came down to Tiru Avinankudi at the Adivaram (pronounced Adivâram and means foot of the Sivagiri Hill). Siva pacified Him by saying that He (Subrahmanya) Himself was the fruit (pazham) of all wisdom and knowledge. Later, Murugan withdrew to the hill and settled there as a recluse in peace and solitude.

Muruga had been made it impossible for Idumban to lift the hillocks. In the fierce battle that ensued, Idumban was killed but was later on restored to life. Idumban prayed that whoever carried on his shoulders the kavadi — signifying the two hills — and visited the temple on a vow should be blessed and that He (Idumban)should be given the privilege of standing sentinel at the entrance to the hill.

Hence the Idumban shrine is halfway up the hill where every pilgrim is expected to offer obeisance to Idumban before entering the temple of Dandâyudhapani. Since then, pilgrims to Palani bring their offerings on their shoulders in a kavadi attam. The custom has spread from Palani to all Muruga shrines worldwide.

  On the day of the festival, devotees undertake a pilgrimage along a set route while engaging in various acts of devotion, notably carrying various types of kavadi (burdens). At its simplest this may entail carrying a pot of milk (pal kavadi), but piercing the skin, tongue or cheeks with vel skewers is also common.

  A more elaborate kavadi consists of two semicircular pieces of wood or steel which are bent and attached to a cross structure that can be balanced on the shoulders of the devotee. It is often decorated with flowers and peacock feathers (the vehicle of God Murugan) among other things. Some of the kavadi can weigh up to 30 kg.

The most spectacular practice is the vel kavadi, essentially a portable altar up to two meters tall, decorated with peacock feathers and attached to the devotee through 108 vels pierced into the skin on the chest and back. Fire walking and flagellation may also be practiced. It is claimed that devotees are able to enter a trance, feel no pain, do not bleed from their wounds and have no scars left behind.

Agra Fort

Agra Fort is a historical fort in the city of Agra in India. It was the main residence of the emperors of the Mughal Dynasty till 1638, when the capital was shifted from Agra to Delhi. The Agra fort is a UNESCO World Heritage site. It is about 2.5 km northwest of its more famous sister monument, the Taj Mahal. The fort can be more accurately described as a walled city.

After the First Battle of Panipat in 1526, the Babur stayed in the fort, in the palace of Ibrahim Lodi. He later built a baoli (step well) in it. His successor, Humayun, was crowned in the fort in 1530. He was defeated at Bilgram in 1540 by Sher Shah Suri. The fort remained with the Suris till 1555, when Humayun recaptured it. Adil Shah Suri's general, Hemu, recaptured Agra in 1556 and pursued its fleeing governor to Delhi where he met the Mughals in the Battle of Tughlaqabad.

Realising the importance of its central situation, Akbar made it his capital and arrived in Agra in 1558. His historian, Abul Fazl, recorded that this was a brick fort known as 'Badalgarh'. It was in a ruined condition and Akbar had it rebuilt with red sandstone from Barauli area Dhaulpur district, in Rajasthan. Architects laid the foundation and it was built with bricks in the inner core with sandstone on external surfaces. Some 4,000 builders worked on it daily for eight years, completing it in 1573.

It was only during the reign of Akbar's grandson, Shah Jahan, that the site took on its current state. Shah Jahan built the beautiful Taj Mahal in the memory of his wife, Mumtaz Mahal. Unlike his grandfather, Shah Jahan tended to have buildings made from white marble. He destroyed some of the earlier buildings inside the fort to make his own. At the end of his life, Shah Jahan was deposed and restrained by his son, Aurangzeb, in the fort. It is rumoured that Shah Jahan died in Muasamman Burj, a tower with a marble balcony with a view of the Taj Mahal.

The fort was invaded and captured by the Maratha Empire in the early 18th century. Thereafter, it changed hands between the Marathas and their foes many times. After their catastrophic defeat at Third Battle of Panipat by Ahmad Shah Abdali in 1761, Marathas remained out of the region for the next decade. Finally Mahadji Shinde took the fort in 1785. It was lost by the Marathas to the British during the Second Anglo-Maratha War, in 1803. The fort was the site of a battle during the Indian rebellion of 1857, which caused the end of the British East India Company's rule in India, and led to a century of direct rule of India by Britain.

The 380,000-square-metre (94-acre)^* fort has a semicircular plan, its chord lies parallel to the river and its walls are seventy feet high. Double ramparts have massive circular bastions at intervals, with battlements, embrasures, machicolations and string courses. Four gates were provided on its four sides, one Khizri gate opening on to the river.Two of the fort's gates are notable: the "Delhi Gate" and the "Lahore Gate." The Lahore Gate is also popularly also known as the "Amar Singh Gate," for Amar Singh Rathore.

The monumental Delhi Gate, which faces the city on the western side of the fort, is considered the grandest of the four gates and a masterpiece of Akbar's time. It was built circa 1568 both to enhance security and as the king's formal gate, and includes features related to both. It is embellished with inlay work in white marble. A wooden drawbridge was used to cross the moat and reach the gate from the mainland; inside, an inner gateway called Hathi Pol ("Elephant Gate") – guarded by two life-sized stone elephants with their riders – added another layer of security. The drawbridge, slight ascent, and 90-degree turn between the outer and inner gates make the entrance impregnable. During a siege, attackers would employ elephants to crush a fort's gates. Without a level, straight run-up to gather speed, however, something prevented by this layout, elephants are ineffective.Because the Indian military (the Parachute Brigade in particular) is still using the northern portion of the Agra Fort, the Delhi Gate cannot be used by the public. Tourists enter via the Amar Singh Gate.

The site is very important in terms of architectural history. Abul Fazal recorded that five hundred buildings in the beautiful designs of Bengal and Gujarat were built in the fort. Some of them were demolished by Shah Jahan to make way for his white marble palaces. Most of the others were destroyed by the British between 1803 and 1862 for raising barracks. Hardly thirty Mughal buildings have survived on the south-eastern side, facing the river. Of these, the Delhi Gate and Akbar Gate and one palace – "Bengali Mahal" – are representative Akbari buildings.

Akbar Darwazza (Akbar Gate) was renamed Amar Singh Gate by the British. The gate is similar in design to the Delhi Gate. Both are built of red sandstone. The Bengali Mahal is built of red sandstone and is now split into Akbari Mahal and Jahangiri mahal.

Lotus Temple

The temple is in the village of Bahapur in New Delhi, National Capital Territory of Delhi, is a Bahá'í House of Worship that was dedicated in December 1986, costing $10 million. Notable for its flowerlike shape, it has become a prominent attraction in the city. Like all Bahá'í Houses of Worship, the Lotus Temple is open to all, regardless of religion or any other qualification. The building is composed of 27 free-standing marble-clad "petals" arranged in clusters of three to form nine sides, with nine doors opening onto a central hall with a height of slightly over 40 metres and a capacity of 2,500 people. The Lotus Temple has won numerous architectural awards and has been featured in many newspaper and magazine articles. A 2001 CNN report referred to it as the most visited building in the world.

The Bahá'í Faith teaches that a Bahá'í House of Worship should be a space for people of all religions to gather, reflect, and worship. Anyone may enter the Lotus Temple irrespective of religious background, sex, or other distinctions, as is the case with all Bahá'í Houses of Worship. The sacred writings of not only the Bahá'í Faith but also other religions can be read and/or chanted, regardless of language;  on the other hand, reading non-scriptural texts is forbidden, as are delivering sermons, lectures or fundraising. Musical renditions of readings and prayerscan be sung by choirs but no musical instruments can be played inside. There is no set pattern for worship services, and ritualistic ceremonies are not permitted.

All Bahá'í Houses of Worship, including the Lotus Temple, share certain architectural elements, some of which are specified by Bahá'í scripture. `Abdu'l-Bahá, the son of the founder of the religion, stipulated that an essential architectural character of a House of Worship is a nine sided circular shape. While all current Bahá'í Houses of Worship have a dome, this is not regarded as an essential part of their architecture.  Bahá'í scripture also states that no pictures, statues or images be displayed within the House of Worship and no pulpits or altars be incorporated as an architectural feature (readers may stand behind simple portable lecture stands).

  Inspired by the lotus flower, the design for the House of Worship in New Delhi is composed of 27 free-standing marble-clad "petals" arranged in clusters of three to form nine sides. The nine doors of the Lotus Temple open onto a central hall slightly more than 40 metres tall that can seat 1,300 people  and hold up to 2,500 in all. The surface of the House of Worship is made of white marble from Penteli mountain in Greece, the same marble from which many ancient monuments (including the Parthenon^[10]) and other Bahá'í Houses of Worship are built. Along with its nine surrounding ponds and gardens, the Lotus Temple property comprises 26 acres (105,000 m²; 10.5 ha).Lotus temple is situated near Nehru Place and Kalkaji Mandir metro station being just 500 meters away.

  The architect was an Iranian, Fariborz Sahba who now lives in Canada. He was approached in 1976 to design the Lotus Temple and later oversaw its construction. The structural design was undertaken by the UK firm Flint and Neill over the course of 18 months, and the construction was done by ECC Construction Group of Larsen & Toubro Limited.The major part of the funds needed to buy this land was donated by Ardishír Rustampúr of Hyderabad, Sindh, who gave his entire life savings for this purpose in 1953. A portion of the construction budget was saved and used to build a greenhouse to study indigenous plants and flowers that would be appropriate for use on the site.

Of the temple's total electricity use of 500 kilowatts (kW), 120 kW is provided by solar power generated by solar panels on the building. This saves the temple 120,000 rupees per month. It is the first temple in Delhi to use solar power.

A Bahá'í House of Worship, sometimes referred to by the name of mašriqu-l-'aḏkār , an Arabic phrase meaning "Dawning-place of the remembrances of God", is the designation of a place of worship, or temple, of the Bahá'í Faith. The teachings of the religion envisage Houses of Worship being surrounded by a number of dependencies dedicated to social, humanitarian, educational, and scientific pursuits, although none has yet been built to such an extent.

Ten Bahá'í Houses of Worship have been built around the world (this includes one in Ashgabat, Turkmenistan that has since been destroyed), nine currently stand including eight continental temples and one local temple. In the Ridván Message for 2012, the Universal House of Justice announced new initiatives for future Houses of Worship, calling for the first national and locally based institutions. The first two "national Mashriqu'l-Adhkars" are to be raised up in two countries: the Democratic Republic of the Congo and Papua New Guinea. With successful growth and cluster development it was also announced that the erection of the first local Houses of Worship would be raised up. Bahá'í communities own many properties where Houses of Worship remain to be constructed as the Bahá'í community grows and develops further. The Houses of Worship are open to the public, and are exclusively reserved for worship, where sermons are prohibited and only scriptural texts may be read. Most Bahá'í meetings occur in local Bahá'í centres, individuals' homes, or rented facilities, though local houses of worship are forthcoming.

The Bahá'í House of Worship was first mentioned in Bahá'u'lláh's book of laws, the Kitáb-i-Aqdas, as the Mashriqu'l-Adhkár (Arabic: مشرق اﻻذكار‎ "Dawning-place of the Mention of God"), and the details of the institution were then elaborated by both Bahá'u'lláh and his successor, `Abdu'l-Bahá.

Bahá'í literature directs that a House of Worship should be built in each city and town, and emphasizes that its doors must be open to all regardless of religion, or any other distinction. The Bahá'í laws emphasize that the spirit of the House of Worship must be a gathering place where people of all religions may worship God without denominational restrictions. The Bahá'í laws also stipulate that only the holy scriptures of the Bahá'í Faith and other religions can be read or chanted inside in any language; while readings and prayers may be set to music by choirs, no musical instruments may be played inside. Furthermore, no sermons may be delivered, and no ritualistic ceremonies practiced.

All Bahá'í temples share certain architectural elements, some of which are specified by Bahá'í scripture. 'Abdu'l-Bahá stipulated that an essential architectural character of a House of Worship be that it requires to have a nine-sidedcircular shape (Nonagon). While all current Bahá'í Houses of Worship have a dome, they are not regarded as an essential part of their architecture. Bahá'í scripture also states that no pictures, statues or images may be displayed within the House of Worship and no pulpits or altars incorporated as an architectural feature (readers may stand behind simple portable lecture stands). To date all the Houses of Worship built or planned have a single, undivided room under their dome. Furthermore, in all seven, the seats in the auditorium face the Shrine of Bahá'u'lláh in 'Akká, Israel. While each of the Houses of Worship is unique, the designs, through the selection of materials, landscaping and architecture, reflect the indigenous cultural, social and environmental elements of their location, to a greater or lesser degree.

Bahá'í literature also stipulates that the Houses of Worship be surrounded by a complex of humanitarian, educational, and charitable institutions such as schools, hospitals, homes for the elderly, universities, hostels, and other social and humanitarian institutions to serve the areas in which they stand. Shoghi Effendi, head of the religion in the first half the 20th century, stated that the functions of the House of Worship would be complementary to those of the Bahá'í centre, and that it would be desirable if both these buildings would be on the same site. He also describes the future interaction between the Mashriqu'l-Adhkár (worship) and its dependencies (service) as "capable of removing the ills that have so long and so grievously afflicted humanity".

The eight existing Houses of Worship were built as the Bahá'í community could support their construction through voluntary contributions. There are no collections during services and only Bahá'ís are permitted to contribute to the Bahá'í funds, including funds for the construction and maintenance of the House of Worship. The Houses of Worship are administered and maintained by the National Spiritual Assembly of the Bahá'ís of the country in which they are located. The Shrine of the Báb and other buildings at the Bahá'í World Centre are not Houses of Worship, although tourists often mistakenly refer to the Shrine as a Bahá'í temple.

Red Fort

      Red Fort is a historic fort in the city of Delhi in India. It was the main residence of the emperors of the Mughal dynasty for nearly 200 years, until 1856.  It is located in the center of Delhi and houses a number of museums. In addition to accommodating the emperors and their households, it was the ceremonial and political center of the Mughal state and the setting for events critically impacting the region.

The Red Fort has an area of 254.67 acres (103.06 ha) enclosed by 2.41 kilometres (1.50 mi) of defensive walls,  punctuated by turrets and bastions and varying in height from 18 metres (59 ft) on the river side to 33 metres (108 ft) on the city side. The fort is octagonal, with the north-south axis longer than the east-west axis. The marble, floral decorations and double domes in the fort's buildings exemplify later Mughal architecture.

It showcases a high level of ornamentation, and the Kohinoor diamond was reportedly part of the furnishings. The fort's artwork synthesises Persian, European and Indian art, resulting in a unique Shahjahani style rich in form, expression and colour. Red Fort is one of the building complexes of India encapsulating a long period of history and its arts. Even before its 1913 commemoration as a monument of national importance, efforts were made to preserve it for posterity.

The Lahori and Delhi Gates were used by the public, and the Khizrabad Gate was for the emperor. The Lahori Gate is the main entrance, leading to a domed shopping area known as the Chatta Chowk (covered bazaar).

Constructed in 1639 by the fifth Mughal Emperor Shah Jahan as the palace of his fortified capital Shahjahanabad, the Red Fort is named for its massive enclosing walls of red sandstone and is adjacent to the older Salimgarh Fort, built by Islam Shah Suri in 1546 AD. The imperial apartments consist of a row of pavilions, connected by a water channel known as the Stream of Paradise (Nahr-i-Bihisht). The fort complex is considered to represent the zenith of Mughal creativity under Shah Jahan,  and although the palace was planned according to Islamic prototypes, each pavilion contains architectural elements typical of Mughal buildings that reflect a fusion of Timurid and Persian traditions. The Red Fort’s innovative architectural style, including its garden design, influenced later buildings and gardens in Delhi, Rajasthan, Punjab, Kashmir, Braj, Rohilkhand and elsewhere.

The fort was plundered of its artwork and jewels during Nadir Shah's invasion of the Mughal Empire in 1747. Most of the fort's precious marble structures were subsequently destroyed by the British following the Revolt of 1857. The forts's defensive walls were largely spared, and the fortress was subsequently used as a garrison. The Red Fort was also the site where the British put the last Mughal Emperor on trial before exiling him to Rangoon in 1858.

Every year on the Independence day of India (15 August), the Prime Minister hoists the Indian "tricolour flag" at the main gate of the fort and delivers a nationally broadcast speech from its ramparts.

It was designated a UNESCO World Heritage Site in 2007 as part of the Red Fort Complex.

    Emperor Shah Jahan commissioned construction of the Red Fort on 12 May 1639, when he decided to shift his capital from Agra to Delhi. Originally red and white, the Shah's favourite colours, its design is credited to architect Ustad Ahmad Lahauri, who also constructed the Taj Mahal. The fort lies along the Yamuna River, which fed the moats surrounding most of the walls. Construction began in the sacred month of Muharram, on 13 May 1638. Supervised by Shah Jahan, it was completed on 6 April 1648. Unlike other Mughal forts, the Red Fort's boundary walls are asymmetrical to contain the older Salimgarh Fort.The fortress-palace was a focal point of the medieval city of Shahjahanabad, which is present-day Old Delhi. Its planning and aesthetics represent the zenith of Mughal creativity prevailing during Shah Jahan's reign. His successor Aurangzeb added the Pearl Mosque to the emperor's private quarters, constructing barbicans in front of the two main gates to make the entrance to the palace more circuitous.

The administrative and fiscal structure of the Mughal dynasty declined after Aurangzeb, and the 18th century saw a degeneration of the palace. When Jahandar Shah took over the Red Fort in 1712, it had been without an emperor for 30 years. Within a year of beginning his rule, Shah was murdered and replaced by Farrukhsiyar. To raise money, the silver ceiling of the Rang Mahal was replaced by copper during this period. Muhammad Shah, known as 'Rangila' (the Colourful) for his interest in art, took over the Red Fort in 1719. In 1739, Persian emperor Nadir Shah easily defeated the Mughal army, plundering the Red Fort including the Peacock Throne. Nadir Shah returned to Persia after three months, leaving a destroyed city and a weakened Mughal empire to Muhammad Shah. The internal weakness of the Mughal empire made the Mughals titular heads of Delhi, and a 1752 treaty made the Marathas protectors of the throne at Delhi.The 1758 Maratha conquest of Lahore and Peshawar placed them in conflict with Ahmad Shah Durrani. In 1760, the Marathas removed and melted the silver ceiling of the Diwan-i-Khas to raise funds for the defence of Delhi from the armies of Ahmed Shah Durrani. In 1761, after the Marathas lost the third battle of Panipat, Delhi was raided by Ahmed Shah Durrani. Ten years later, Shah Alam ascended the throne in Delhi with Maratha support. In 1783 the Sikh Misl Karorisinghia, led by Baghel Singh Dhaliwal, conquered Delhi and the Red Fort briefly.In 1788, a Maratha garrison permanently occupied Red fort and Delhi and ruled on north India for next two decades until they were usurped by the British East India Company following the Second Anglo-Maratha War in 1803.

During the Second Anglo-Maratha War in 1803, forces of British East India Company defeated Maratha forces in the Battle of Delhi; this ended Maratha rule of the city and their control of the Red Fort. After the battle, the British took over the administration of Mughal territories and installed a Resident at the Red Fort.The last Mughal emperor to occupy the fort, Bahadur Shah II, became a symbol of the 1857 rebellion against the British in which the residents of Shahjahanbad participated.

Despite its position as the seat of Mughal power and its defensive capabilities, the Red Fort was not defended during the 1857 uprising against the British. After the rebellion failed, Bahadur Shah II left the fort on 17 September and was apprehended by British forces. He returned to Red Fort as a prisoner of the British, was tried in 1858 and exiled to Rangoon on 7 October of that year. With the end of Mughal reign, the British sanctioned the systematic plunder of valuables from the fort's palaces. All furniture was removed or destroyed; the harem apartments, servants' quarters and gardens were destroyed, and a line of stone barracks built. Only the marble buildings on the east side at the imperial enclosure escaped complete destruction, but were looted and damaged. While the defensive walls and towers were relatively unharmed, more than two-thirds of the inner structures were destroyed by the British. Lord Curzon, Viceroy of India from 1899–1905, ordered repairs to the fort including reconstruction of the walls and the restoration of the gardens complete with a watering system.

Most of the jewels and artworks of the Red Fort were looted and stolen during Nadir Shah's invasion of 1747 and again after the failed Indian Rebellion of 1857 against the British. They were eventually sold to private collectors or the British Museum, British Library and the Victoria and Albert Museum. For example, the Koh-i-Noor diamond, the jade wine cup of Shah Jahan and the crown of Bahadur Shah II are all currently located in London. Various requests for restitution have so far been rejected by the British government.

1911 saw the visit of the British king and queen for the Delhi Durbar. In preparation of the visit, some buildings were restored. The Red Fort Archaeological Museum was also moved from the drum house to the Mumtaz Mahal.

The INA trials, also known as the Red Fort Trials, refer to the courts-martial of a number of officers of the Indian National Army. The first was held between November and December 1945 at the Red Fort.

On 15 August 1947, the first Prime Minister of India Jawaharlal Nehru raised the Indian national flag above the Lahore Gate. On each subsequent Independence Day, the prime minister has raised the flag and given a speech that is broadcast nationally.After Indian Independence, the site experienced few changes, and the Red Fort continued to be used as a military cantonment. A significant part of the fort remained under Indian Army control until 22 December 2003, when it was given to the Archaeological Survey of India for restoration.In 2009 the Comprehensive Conservation and Management Plan (CCMP), prepared by the Archaeological Survey of India under Supreme Court directions to revitalise the fort, was announced.

Every year on India's Independence Day (15 August), the Prime Minister of India hoists the national flag at the Red Fort and delivers a nationally broadcast speech from its ramparts.The Red Fort, the largest monument in Delhi, is one of its most popular tourist destinations and attracts thousands of visitors every year. A sound and light show describing Mughal history is a tourist attraction in the evenings. The major architectural features are in mixed condition; the extensive water features are dry. Some buildings are in fairly-good condition, with their decorative elements undisturbed; in others, the marble inlaid flowers have been removed by looters. The tea house, although not in its historical state, is a working restaurant. The mosque and hamam or public baths are closed to the public, although visitors can peer through their glass windows or marble latticework. Walkways are crumbling, and public toilets are available at the entrance and inside the park.

The Lahore Gate entrance leads to a mall with jewellery and craft stores. There is also a museum of "blood paintings", depicting young 20th-century Indian martyrs and their stories, an archaeological museum and an Indian war-memorial museum.The Red fort appears on the back of the ₹500 note of the Mahatma Gandhi New Series of the Indian rupee.

 To prevent terrorist attacks, security is especially strict around the Red Fort on the eve of Indian Independence Day. Delhi Police and paramilitary personnel keep watch on neighbourhoods around the fort, and National Security Guardsharpshooters are deployed on high-rises near the fort. The airspace around the fort is a designated no-fly zone during the celebration to prevent air attacks,and safe houses exist in nearby areas to which the Prime Minister and other Indian leaders may retreat in the event of an attack.The fort was the site of a terrorist attack on 22 December 2000, carried out by six Lashkar-e-Toiba members. Two soldiers and a civilian were killed in what the news media described as an attempt to derail India-Pakistan peace talks^.