Kathakali

Kathakali  is one of the major forms of classical Indian dance. It is a "story play" genre of art, but one distinguished by the elaborately colorful make-up, costumes and facemasks that the traditionally male actor-dancers wear. Kathakali primarily developed as a Hindu performance art in the Malayalam-speaking southwestern region of India (Kerala).
Kathakali's roots are unclear. The fully developed style of Kathakali originated around the 17th century, but its roots are in the temple and folk arts (such as Kutiyattam and religious drama of the southwestern Indian peninsula), which are traceable to at least the 1st millennium CE. A Kathakali performance, like all classical dance arts of India, synthesizes music, vocal performers, choreography and hand and facial gestures together to express ideas. However, Kathakali differs in that it also incorporates movements from ancient Indian martial arts and athletic traditions of South India. Kathakali also differs in that the structure and details of its art form developed in the courts and theatres of Hindu principalities, unlike other classical Indian dances which primarily developed in Hindu temples and monastic schools.
The traditional themes of the Kathakali are folk mythologies, religious legends and spiritual ideas from the Hindu epics and the Puranas. The vocal performance has traditionally been performed in Sanskritised Malayalam. In modern compositions, Indian Kathakali troupes have included women artists, as well as adapted Western stories and plays such as those by Shakespeare and from Christianity.

Peppara Dam -പേപ്പാറ വന്യജീവി സങ്കേതത്തിലേക്കു ഒരു യാത്ര

The Peppara Wildlife Sanctuary is a wildlife sanctuary near Thiruvananthapuram in southern Kerala, India. It consists of the catchment area of the Karamana river, which originates from Chemmunjimottai, the tallest hill within the sanctuary. The sanctuary is named after the Peppara dam, commissioned in 1983 to augment the drinking water supply to Thiruvananthapuram city and suburban areas. Considering the ecological significance of the area, it was declared a sanctuary in 1983. The terrain is undulating with elevation ranging from 100 m to 1717 m. The area of the sanctuary is 75 km2 with tropical moist evergreen forests and myristica swamps. Peppara Wildlife Sanctuary is 44 kilometres (27 mi) by car from the nearest railway station, at Thiruvananthapuram, and 49 kilometres (30 mi) from the Thiruvananthapuram airport.

Kathakali

Kathakali (Malayalam: കഥകളി) is one of the major forms of classical Indian dance. It is a "story play" genre of art, but one distinguished by the elaborately colorful make-up, costumes and facemasks that the traditionally male actor-dancers wear. Kathakali primarily developed as a Hindu performance art in the Malayalam-speaking southwestern region of India (Kerala).

Kathakali's roots are unclear. The fully developed style of Kathakali originated around the 17th century, but its roots are in the temple and folk arts (such as Kutiyattam and religious drama of the southwestern Indian peninsula), which are traceable to at least the 1st millennium CE. A Kathakali performance, like all classical dance arts of India, synthesizes music, vocal performers, choreography and hand and facial gestures together to express ideas. However, Kathakali differs in that it also incorporates movements from ancient Indian martial arts and athletic traditions of South India. Kathakali also differs in that the structure and details of its art form developed in the courts and theatres of Hindu principalities, unlike other classical Indian dances which primarily developed in Hindu temples and monastic schools.

The traditional themes of the Kathakali are folk mythologies, religious legends and spiritual ideas from the Hindu epics and the Puranas. The vocal performance has traditionally been performed in Sanskritised Malayalam. In modern compositions, Indian Kathakali troupes have included women artists, as well as adapted Western stories and plays such as those by Shakespeare and from Christianity.

Ponmudi hill station

Ponmudi (the Golden Peak) is a hill station in the Thiruvananthapuram District of Kerala in India. It is located 55.2 km north-east of Trivandrum City at an altitude of 1100 m. Ponmudi (Varayadumotta) peak is a part of the Western Ghats mountain range that runs parallel to the Arabian Sea.[Locals in the capital city of Thiruvananthapuram will declare that a weekend drive to Ponmudi is among the best ways to spend time in the city. Families and friends alike are known to go on long drives up the winding paths for a view they insist rivals any other in the State. The slopes shrouded in mist fill one with a feeling of wonder and amazement. A large amount of rare flora and fauna can be seen here including mountain flowers, wild orchids and exotic butterflies.
          The temperature is equable throughout the year and the three hour drive from the city is justified once the valley comes into view. One can always stopover at the breath-taking Kallar River on the way, which flows parallel to the road in the opposite direction, with the picturesque Meenmutty Waterfalls only a little distance ahead. A large number of cottages and resorts have come up in the area. Trekking and camping options are also available for those interested in exploring this natural wonder on foot. The tree house view tower is another great place to visit. Ponmudi is indeed a rising hotbed of tourist activity. A hill so close to the city, yet nestled so near the protective arms of the sea.

Major Sree Bala Subramanya Swamy Temple

Major Sree Bala Subramanya Swamy Temple is situated at Ulloor, 7 km from Thiruvananthapuram. This is one of the most popular Bala Subramanya Swamy Temples in Kerala. This temple enshrines Lord Subramanya (Lord Muruga) as the main deity. Lord Shiva, Lord Ganapathy, Annadu Shastha, Goddess Yakshi Amma, Naga Raja and Brahma Rakshas are the other deities worshipped in the temple complex. The temple holds two annual festivals namely the Thypooya Kavadi Mahotsavam and Meena Mahotsavam. The temple is currently administered by the Travancore Devaswom Board. The nearest Airport is Trivandrum International Airport and Thiruvananthapuram Central Railway Station and Pettah Railway Station are nearest Railway Stations.

Kerala Tourism Promotion Video

Golden beaches, emerald backwaters, lofty mountain ranges, beautiful forests.... the choices are many and so are the wonders that await you in Kerala. Come and take home what they call ‘memories’, the kind that makes life worth living.

Indian Travel Vlog

https://www.youtube.com/channel/UC4MBkBr-qriuYfcIWLBBSkg

The Golden Temple

The Golden Temple, is one of the most revered spiritual sites of Sikhism located in the city of Amritsar, Punjab, India..Amritsar (literally, the tank of nectar of immortality) was founded in 1577 by the fourth Sikh guru, Guru Ram Das. The fifth Sikh Guru, Guru Arjan, designed Harmandir Sahib to be built in the center of this tank, and upon its construction, installed the Adi Granth, the holy scripture of Sikhism, inside Harmandir Sahib. The Harmandir Sahib complex is also home to the Akal Takht (the throne of the timeless one, constituted by the Sixth Guru, Guru Hargobind). While the Harmandir Sahib is regarded as the abode of God's spiritual attribute, the Akal Takht is the seat of God's temporal authority.

The construction of Harmandir Sahib was intended to build a place of worship for men and women from all walks of life and all religions to worship God equally. The four entrances (representing the four directions) to get into the Harmandir Sahib also symbolise the openness of the Sikhs towards all people and religions. Over 100,000 people visit the shrine daily for worship, and also partake jointly in the free community kitchen and meal (Langar) regardless of any distinctions, a tradition that is a hallmark of all Sikh Gurdwaras.

The present-day gurdwara was renovated in 1764 by Jassa Singh Ahluwalia with the help of other Sikh Misls. In the early nineteenth century, Maharaja Ranjit Singh secured the Punjab region from outside attack and covered the upper floors of the gurdwara with 750 kilograms (1,650 lb) of gold, which gives it its distinctive appearance and its English name.

The Harmandir Sahib is also spelled as Harimandar, Harimandir or Harmandar Sahib. It is also called the Darbar Sahib (Punjabi pronunciation: [dəɾbɑɾ sɑhɪb]) which means "sacred audience", as well as the Golden Temple for its gold foil covered sanctum center. The word "Harmandir" is composed of two words, "Har", meaning "God", and "mandir" which means temple or house. The Sikh tradition has several Gurdwaras named "Harmandir Sahib" such as those in Kiratpur and Patna. Of these, the one in Amritsar is most revered.

According to the Sikh historical records, the land that became Amritsar and houses the Harimandar Sahib was chosen by Guru Amar Das – the third Guru of the Sikh tradition. It was then called Guru Da Chakk, after he had asked his disciple Ram Das to find land to start a new town with a man made pool as its central point. After Ram Das succeeded Guru Amar Das in 1574, and given the hostile opposition he faced from the sons of Guru Amar Das, Guru Ram Das founded the town that came to be known as "Ramdaspur". He started by completing the pool with the help of Baba Buddha (not to be confused with the Buddha of Buddhism). Guru Ram Das built his new official centre and home next to it. He invited merchants and artisans from other parts of India to settle into the new town with him.

Ramdaspur town expanded during the time of Guru Arjan financed by donations and constructed by voluntary work. The town grew to become the city of Amritsar, and the pool area grew into the Golden Temple complex.The construction activity between 1574 and 1604 is described in Mahima Prakash Vartak, a semi-historical Sikh hagiography text likely composed in 1741, and the earliest known document dealing with the lives of all the ten Gurus. Guru Arjan installed the scripture of Sikhism inside the new temple in 1604.Continuing the efforts of Guru Ram Das, Guru Arjan established Amritsar as a primary Sikh pilgrimage destination. He wrote a voluminous amount of Sikh scripture including the popular Sukhmani Sahib.

Guru Ram Das acquired the land for the site. Two versions of stories exist on how he acquired this land. In one based on a Gazetteer record, the land was purchased with Sikh donations of 700 rupees from the owners of the village of Tung. In another version, Emperor Akbar is stated to have donated the land to the wife of Guru Ram Das.

In 1581, Guru Arjan initiated the construction of the Gurdwara.During the construction the pool was kept empty and dry. It took 8 years to complete the first version of the Harmandir Sahib. Guru Arjan planned a temple at a level lower than the city to emphasize humility and the need to efface one's ego before entering the premises to meet the Guru.He also demanded that the temple compound be open on all sides to emphasize that it was open to all. The sanctum inside the pool where his Guru seat was had only one bridge to emphasize that the end goal was one, states Arvind-Pal Singh Mandair. In 1589, the temple made with bricks was complete. Guru Arjan is believed by some later sources to have invited Sufi saint Mian Mir of Lahore to lay its foundation stone, signaling pluralism and that the Sikh tradition welcomed all.This belief is however unsubstantiated.^. According to Sikh traditional sources such as Sri Gur Suraj Parkash Granth it was laid by Guru Arjan himself. After the inauguration, the pool was filled with water. On August 16, 1604, Guru Arjan completed expanding and compiling the first version of the Sikh scripture and placed a copy of the Adi Granth in the temple. He appointed Baba Buddha as the first Granthi.

Guru Arjan called the site Ath Sath Tirath which means "shrine of 68 pilgrimages". The temple complex marks the place of this announcement with a raised canopy on the parkarma (circumambulation marble path around the pool). The name, state W. Owen Cole and other scholars, reflects the belief that visiting this temple is equivalent to 68 Hindu pilgrimage sites in the Indian subcontinent, or that a Tirath to the Golden Temple has the efficacy of all 68 Tiraths combined.The completion of the first version of the Golden Temple was a major milestone for Sikhism, states Arvind-Pal Singh Mandair, because it provided a central pilgrimage place and a rallying point for the Sikh community, set within a hub of trade and activity.

Sikhism (/ˈsɪkɪzəm/; Punjabi: ਸਿੱਖੀ), or Sikhi^[3] Sikkhī, pronounced [ˈsɪkːʰiː], from Sikh, meaning a "disciple", or a "learner"), is a monotheistic dharmic religion that originated in the Punjabregion of the Indian subcontinent about the end of the 15th century.^[4][5][6] It is one of the youngest of the major world religions, and the fifth-largest. The fundamental beliefs of Sikhism, articulated in the sacred scripture Guru Granth Sahib, include faith and meditation on the name of the one creator, divine unity and equality of all humankind, engaging in selfless service, striving for social justice for the benefit and prosperity of all, and honest conduct and livelihood while living a householder's life.^[7][8][9] In the early 21st century there were nearly 25 million Sikhs worldwide, the great majority of them (20 million) living in Punjab, the Sikh homeland in northwest India, and about 2 million living in neighboring Indian states, formerly part of the Punjab.

Sikhism is based on the spiritual teachings of Guru Nanak, the first Guru (1469–1539), and the nine Sikh gurus that succeeded him. The Tenth Guru, Guru Gobind Singh, named the Sikh scripture Guru Granth Sahib as his successor, terminating the line of human Gurus and making the scripture the eternal, religious spiritual guide for Sikhs. Sikhism rejects claims that any particular religious tradition has a monopoly on Absolute Truth.

The Sikh scripture opens with Ik Onkar (ੴ), its Mul Mantar and fundamental prayer about One Supreme Being (God).  Sikhism emphasizes simran (meditation on the words of the Guru Granth Sahib), that can be expressed musically through kirtan or internally through Nam Japo (repeat God's name) as a means to feel God's presence. It teaches followers to transform the "Five Thieves" (lust, rage, greed, attachment, and ego). Hand in hand, secular life is considered to be intertwined with the spiritual life.  Guru Nanak taught that living an "active, creative, and practical life" of "truthfulness, fidelity, self-control and purity" is above the metaphysical truth, and that the ideal man is one who "establishes union with God, knows His Will, and carries out that Will". Guru Hargobind, the sixth Sikh Guru, established the political/temporal (Miri) and spiritual (Piri) realms to be mutually coexistent.  Sikhism evolved in times of religious persecution. Two of the Sikh gurus – Guru Arjan (14 April 1563 – 25 May 1605) and Guru Tegh Bahadur (12 April 1621 – 19 December 1675), after they refused to convert to Islam, were tortured and executed by the Mughal rulers. The persecution of Sikhs triggered the founding of the Khalsa, as an order to protect the freedom of conscience and religion, with qualities of a "Sant-Sipāhī" – a saint-soldier.

The Qutub Minar

The Qutub Minar, also spelled as Qutab Minar, or Qutb Minar, is a minaret that forms a part of the Qutab complex, a UNESCO World Heritage Site in the Mehrauli area of Delhi, India. Qutub Minar is a 73-metre (239.5 feet) tall tapering tower of five storeys, with a 14.3 metres (47 feet) base diameter, reducing to 2.7 metres (9 feet) at the top of the peak. It contains a spiral staircase of 379 steps. Its design is thought to have been based on the Minaret of Jam, in western Afghanistan.

Qutab-Ud-Din-Aibak, founder of the Delhi Sultanate, started construction of the Qutub Minar's first storey around 1192. In 1220, Aibak's successor and son-in-law Iltutmish completed a further three storeys. In 1369, a lightning strike destroyed the top storey. Firoz Shah Tughlaq replaced the damaged storey, and added one more. Sher Shah Suri also added an entrance to this tower while he was ruling and Humayun was in exile.

The Minar is surrounded by several historically significant monuments of the Qutab complex, including Quwat-ul-Islam Mosque, which was built at the same time as the Minar, and the much older Iron Pillar of Delhi.^[1] The nearby pillared Cupola known as "Smith's Folly" is a remnant of the tower's 19th century restoration, which included an ill-advised attempt to add a sixth storey.

.Qutab Minar was established along with Quwwat-ul-Islam Mosque around 1192 by Qutab-ud-din Aibak, first ruler of the Delhi Sultanate. The mosque complex is one of the earliest that survives in the Indian subcontinent. The minaret is named after Qutab-ud-din Aibak, or Qutabuddin Bakhtiar Kaki, a Sufi saint. Its ground storey was built over the ruins of the Lal Kot, the citadel of Dhillika. Aibak's successor Iltutmish added three more storeys. The minar's topmost storey was damaged by lightning in 1369 and was rebuilt by Firoz Shah Tughlaq, who added another storey. In 1505, an earthquake damaged Qutub Minar; it was repaired by Sikander Lodi. On 1 September 1803, a major earthquake caused serious damage. Major Robert Smith of the British Indian Army renovated the tower in 1828 and installed a pillared cupola over the fifth story, thus creating a sixth. The cupola was taken down in 1848, under instructions from The Viscount Hardinge, then Governor General of India. It was reinstalled at ground level to the east of Qutab Minar, where it remains. It is known as "Smith's Folly"

 The tower's style is patterned on Afghanistan's Minaret of Jam, and adapted to local artistic conventions by the incorporation of "looped bells and garlands and lotus borders into the carving". Numerous inscriptions in Parso-Arabic and Nagari characters in different sections of the Qutab Minar reveal the history of its construction, and the later restorations and repairs by Firoz Shah Tughluq (1351–89) and Sikandar Lodi (1489–1517).

The tower has five superposed, tapering storeys. The lowest three comprise fluted cylindrical shafts or columns of pale red sandstone, separated by flanges and by storeyed balconies, carried on Muqarnas corbels. The fourth column is of marble, and is relatively plain. The fifth is of marble and sandstone. The flanges are a darker red sandstone throughout, and are engraved with Quranic texts and decorative elements. The whole tower contains a spiral staircase of 379 steps. At the foot of the tower is the Quwat ul Islam Mosque. The minar tilts just over 65 cm from the vertical, which is considered to be within safe limits, although experts have stated that monitoring is needed in case rainwater seepage further weakens the foundation.